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The fascinating true story of the love affair between socialite and popular author Vita Sackville-West and literary icon Virginia Woolf.
Aug 23, 2019 | Theatrical Limited (32 locations)
Other Key Dates
Sep 11, 2018 (Toronto International Film Festival (Canada))
Oct 26, 2018 (MINI British Film Festival (Australia))
Mar 21, 2019 (BFI Flare London LGBTQ+ Film Festival (UK))
Apr 8, 2019 (Phoenix Film Festival (USA))
Apr 14, 2019 (Minneapolis St. Paul International Film Festival (USA))
Apr 16, 2019 (Florida Film Festival (USA))
Apr 20, 2019 (OUTshine Film Festival (USA))
May 25, 2019 (Molodist International Film Festival (Ukraine))
Jun 15, 2019 (Provincetown Film Festival (USA))
Jun 20, 2019 (Frameline Film Festival (USA))
Jun 21, 2019 (Nantucket Film Festival (USA))
Jun 28, 2019 (Munich International Film Festival (Germany))
Jul 14, 2019 (Maine International Film Festival (USA))
Sep 1, 2020 (Prague International Film Festival (Czechia))
Aug 12, 2021 (TV premiere (Sweden))
Aug 19, 2021 (DVD and Blu-ray premiere (Germany))
$3,408
$42,741
$757,934
$800,675
Aspect Ratio: 1.85 : 1
Country of Origin: Ireland
The idiosyncratic worlds of artists and aristocracy collide in Vita & Virginia, which brings into focus the years of friendship, sex, love and letter writing between two literary powerhouses. Vita Sackville-West (Gemma Arterton) is introduced to the effervescent Bloomsbury Set, at the heart of which is Virginia Woolf (Elizabeth Debicki). Their refusal to play by society’s rules offers an enticing escape to socialite and author Vita, who is no stranger to rule-breaking herself. She is constantly chastised by her overbearing and dismissive mother, Lady Sackville-West (Isabella Rossellini) and resents the duties she must undertake for her bisexual, MP husband, Harold Nicolson (Rupert Penry-Jones). Vita is drawn to the progressive and sexually liberated group of artists, politicians and authors, intrigued particularly by the mystery and apparent aloofness of Virginia.Having a long-held and deep contempt for the upper classes, Leonard Woolf (Peter Ferdinando) is suspicious of this socialite’s sudden appearance in their lives but Virginia persuades him that their publishing house, Hogarth Press, should publish Vita’s next book. Something more than a working relationship blooms between the two women; although each writer holds the other in high regard and they are celebrated in their own right, they crave a particular acceptance from each other. Their mutual admiration, though fast becoming charged with a tension and a passion which excites them both, is peppered with doubts. Their backgrounds and sensibilities are so far apart on the social spectrum that their relationship and even friendship seems doomed. A brief but significant visit to Vita’s ancestral home marks their inescapable differences in Virginia’s mind and it reignites her fear that she cannot love others in the same way as they do her.Vita and Harold’s marriage of convenience threatens to crumble as she becomes frustrated and suffocated by the role of submissive and dutiful wife, distracted by the exciting opportunities that being Virginia’s lover offers. There is always a sense that Vita is desperate to lift the curtain on the ‘real’ Virginia, to reveal the truth behind the myth and Virginia relishes the challenge, even if she is not always entirely comfortable with it. Their relationship oscillates, they circle around each other and there are constant contradictions between what is said and what is meant. It is when they are separated by Harold’s diplomatic responsibilities that the truth pours out. Their letters are infused with a fierce love and longing, a desperation to explore and analyse the heart and the mind – this is where they are most comfortable, each a muse for the other.Vita & Virginia offers a glimpse into the complex nature of relationships and marriages, questioning what it is to be female and feminine and details the fraught hypocrisies of living in the 1920s. Punctuating the film is Virginia’s well publicised mania, depicted through visual, imaginative metaphors, a reminder of her vulnerability that Vita is eager to dispel. Throughout the story, characters struggle with the unwritten rules of jealousy, revolution, power and the myriad forms that love takes. It is from one such struggle, after Virginia sees Vita with another woman, that Orlando: A Biography is born, canonising Vita forever as Virginia’s muse.
‘Vita and Virginia’ is a love story of the friendship and affair between writer Virginia Woolf (Elizabeth Debicki) and aristocrat Vita Sackville-West (Gemma Arterton). Their paths cross in Bloomsbury in 1922 when Vita receives an invitation from Virginia. Their romance overcomes all social boundaries, Virginia’s mental health struggles, and Vita’s recklessness, and neither will ever be the same without the other. — Merve Kurt Socialite Vita Sackville-West (Arterton) and literary icon Virginia Woolf (Debicki) run in different circles in 1920s London. Despite the odds, the magnetic Vita and the beguiling Virginia forge an unconventional affair, set against the backdrop of their own strikingly contemporary marriages; which inspired one of Woolf’s most iconic novels, ‘Orlando’.