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After an emotional exchange between a Lebanese Christian and a Palestinian refugee escalates, the men end up in a court case that gets national attention.
Jan 12, 2018 | Theatrical Limited (51 locations)
Other Key Dates
Aug 31, 2017 (Venice Film Festival (Italy))
Sep 2, 2017 (Telluride Film Festival (USA))
Sep 7, 2017 (Toronto International Film Festival (Canada))
Oct 5, 2017 (Vancouver International Film Festival (Canada))
Oct 8, 2017 (Mill Valley Film Festival (USA))
Oct 22, 2017 (Valladolid International Film Festival (Spain))
Oct 23, 2017 (Chicago International Film Festival (USA))
Oct 28, 2017 (Vienna International Film Festival (Austria))
Nov 8, 2017 (Carthage Film Festival (Tunisia))
Nov 18, 2017 (Tallinn Black Nights Film Festival (Estonia))
Jan 7, 2018 (Palm Springs International Film Festival (USA))
Jan 25, 2018 (International Film Festival Rotterdam (Netherlands))
Feb 23, 2018 (Bengaluru International Film Festival (India))
Feb 24, 2018 (Boulder International Film Festival (Lebanon))
Feb 24, 2018 (Boulder International Film Festival (USA))
Feb 25, 2018 (Belgrade Film Festival (Serbia))
Mar 13, 2018 (Barcelona premiere (Spain))
Mar 13, 2018 (Sevilla premiere (Spain))
Mar 15, 2018 (International Film Festival Vilnius (Lithuania))
Mar 24, 2018 (Hong Kong International Film Festival (Hong Kong))
May 1, 2018 (DVD & Blu-ray premiere (USA))
Jun 9, 2018 (Sydney Film Festival (Australia))
Jul 14, 2018 (Odesa International Film Festival (Ukraine))
Jan 14, 2019 (Middle East Film Festival (Singapore))
Apr 19, 2020 (TV premiere (Poland))
$24,957
$1,001,305
$2,664,931
$3,666,268
Sound Mix: Dolby Digital
Aspect Ratio: 2.35 : 1
Country of Origin: France
In today’s Beirut, an insult blown out of proportions finds Toni, a Lebanese Christian, and Yasser, a Palestinian refugee, in court. From secret wounds to traumatic revelations, the media circus surrounding the case puts Lebanon through a social explosion, forcing Toni and Yasser to reconsider their lives and prejudices. What should have been a trivial altercation, quickly settled and forgotten, instead propels two men to the center of a politically charged scandal in Lebanon-one that reopens historical and political wounds on both sides. When Yasser, a Palestinian refugee and building foreman, and Tony, a Christian nationalist and auto mechanic, go head to head after a misunderstanding involving a drainpipe on Tony’s balcony, Yasser utters an insult Tony cannot forgive. The events immediately following result in the two stubborn men facing off in court where, fueled by the media and a famous right-wing Christian lawyer, old wounds and unresolved tension threaten to divide a nation. — Anonymous In modern Lebanon–against the backdrop of delicate equilibria, frail ethnic and religious amalgamations, and the flaming scars of a devastating fifteen-year-long civil war–an otherwise trifling matter between two men, Tony, a Lebanese Christian, and Yasser, a Palestinian refugee, gets rapidly blown out of proportion. Before long, a hot-headed act of impropriety, paired with a vain effort at reconciliation and a sincere apology that never came, will prepare the ground for a fierce showdown in court, gradually escalating into a conflict of nationwide proportions. However, what was the insult in the first place? — Nick Riganas When Palestinian Muslim foreman Yasser installs a new drainpipe on Lebanese Christian Tony’s balcony without his permission, Tony’s dislike of Palestinians triggers what appears to be a minor disagreement. But insults are hurled, and the situation soon escalates out of control. What begins with a petty argument leads to a highly publicized trial that captivates a nation, and also gives a range of people an opportunity to settle old scores. Doueiri masterfully takes this private clash of wills as a starting point to explore historic rifts amongst Lebanese communities, and the aftermath of the civil war. Intelligently using humor and pathos, The Insult is ultimately a plea for empathy, forgiveness and peace. — Anonymous